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On Christmas Eve Day, I’ve got a potpourri of holiday viewing going on in the background.

Square Pegs – A Child’s Christmas in Weemawee

“Square Pegs” was an 80s tv series that came on CBS created by and showrun by Annie Beatts who wrote for Saturday Night Live in the much celebrated 1st Golden Era of the Not Yet Ready for Primetime Players. Terry Hughes, who also wrote for Saturday Night Live, and will co-create 3rd Rock from the Sun and That 70s Show, directed many episodes. It was touted as a satirical look at actual high school for most of us, circa the 1980s, with two girls circumnavigating the shark infested waters of cliques.

The show, which barely lasted a full season, had a two-part Christmas episode called “A Child’s Christmas in Weemawee.” Christmas is coming and the goose is getting fat, and Patty Greene and Lauren Hutchinson make plans to crash every party that the cool kids are at. A wrench in those plans comes with Patty’s father, played funnily by Tony Dow (Wally Cleaver from “Leave It To Beaver”) makes plans to take her to his cabin for Christmas around the same time that she and her friend want to engage in their wacky and doomed plan. Meanwhile the rest of the student body are celebrating Christmas as only they can at Weemawee High. The music teacher has the students participate in (mostly against their will) in a play he wrote about a reindeer which is clearly his backstory of how he failed on Broadway due to the jealousy of the other reindeer and ended up at Weemawee. The reindeer is played by Johnny, the resident strange kid that bops to the beat of his own drum. We sit through the whining of popular Valley girl speaking Jennifer and wonder with jive talkin’ LaDonna why we can’t hear carols done in the style of Ella Fitzgerald. Did I mention that a running gag throughout the two episodes is Muffy Tupperman, who was THAT girl in high school (and in the workplace, where she usually will manage to get into a role that makes your life awful) made it possible for a “rainbow coalition” of younger children to sing various songs from Christmas carols to “It’s a Small World after All” dressed in the costumes of their countries throughout the school?

Did I mention to take note of the now cult favorite Christmas song “Christmas W(rapping)” by the group The Waitresses (who not only supply the show’s theme song “Square Pegs,” but also perform their song in one of the episodes?) playing throughout the second episode?

Those seeking the TMOC may find it hard to find across the two-parter.

Patty does go with her father, but tells him at some point about her aborted plans with Lauren and that even though ice fishing with her father is not her cup of tea, it doesn’t mean she doesn’t mean she doesn’t love him. Lauren, though upset that her only friend won’t be crashing Christmas parties with her, makes do and is Santa in the school pageant and makes sure that Patty’s secret Santa gift makes it to LaDonna and assured Patty before she left that they are fine.

Vincent, who nobody told that the days of the greaser are so in the past (only ironically to be revived by “Happy Days” and the movie “The Outsiders,” which came out around the time of this series) manages to be the one that has genuine Christmas spirit, down to knowing carols and traditions.

Patty’s father enables her to return to Weemawee in time for the holiday concert, exercising some understanding himself. To say that Lauren is overjoyed is an understatement. We also learn that Patty’s gift to LaDonna is an Ella Fitzgerald songbook, demonstrating either a kindness or desperation on the part of Patty. LaDonna as apparently the only Black girl (probably the only Black person) is one of the cool kids “cause she be hip.” She as one of the cool kids of course routinely ignores and makes fun of as the mood strikes her of Patty and Lauren, the not-so-cool kids. The holiday concert/pageant ends with the students singing, especially Patty and LaDonna harmonizing and enjoying it.

“Square Pegs” on the whole isn’t a bad series. It’s a fascinating look at the early 1980s and the Spiritual Ancestor of shows like “That 70s Show” and even “Scrubs.” I was glad to find out that the producers also hated the laugh track that was tacked on. The show didn’t need it and it’s obvious where the laughs are. It wasn’t necessarily my high school experience (a little closer to my middle school experience and sadly almost on the nose of a work experience I had where the “cool kids” were middle aged and just as petty), but it was a welcome break from some of the shows featuring high school kids at the time and felt more natural. Unlike many of them, there wasn’t a “moral” tacked on at the end or a “Very Special Episode.” Sometimes our intrepid heroines Lauren and Patty win, but often times they just survive until the next day. Rinse and repeat. But you enjoy being with them on this ride. Episodes of Square Pegs can be found on Prime’s Live Channels. It can also be found on YouTube.

Benson’s Full Christmas episode –‘Mary and Her Lambs’

This Christmas episode from the tv series “Benson” aired again. This was the one where the title character, who came to the governor’s mansion as head of household affairs but is now the budget director of the state of whatever it is (likely where the city of Springfield, where the Simpsons live) encounters a member of the household staff named Mary, who is caring for two children she took in. Apparently Mary did not adopt or was made legal foster parent of the two children, Margaret and Vinh and the state child welfare services tries to take them away from her. Benson, Governor Gatling, his daughter Katie Gatling and the staff, which includes usual Grinch in a 3 piece suit Clayton Runnymede Endicott III work to keep the little family together and manage to find a solution at the holiday party that the Governor hosts for all of the orphans in foster care. A lot of the incidents that happen are a mix of Christmas magic and other magic a la Nanny Phoebe Figallily from the tv series “Nanny and The Professor.” The show of course finishes with the cast reminding us all that they are a cast that knows their way around some songs.

Yes, there are lots of deus ex machinas especially the literal one where the book that contains the law to keep Mary’s little handmade family together, falls off the shelf in the Governor’s office, open to the page that outlines the law, just as Benson sends up a prayer for a Christmas miracle. The TMOC is strong enough in this episode with everyone counting their blessings and giving of a present greater than what they were expecting to receive. As mentioned, even Clayton willingly gets into the act, dressing up as Santa to give gifts to the children. But it’s “Benson,” so of course Governor Gatling also chose to dress up as Santa, so there were two Santas and the kids were just fine with that. And so are we.

As always with this episode, you stay for the cast performing well known holiday songs. Unfortunately, when “Benson” is in syndication, this part of the episode is cut out. For many years it was hard to find this episode intact. I finally found it when Prime made available all of the seasons of “Benson.” I really enjoy this part of the episode and will always watch it when it’s around.

It’s A Wonderful Life

This Christmas Eve I will be watching NBC’s broadcast of “It’s A Wonderful Life.” The ultimate holiday story about the TMOC and faith, hope and charity. NBC is broadcasting #ItsAWonderfulLife on Tuesday, Dec. 24, 8-11 p.m. only, with likely other broadcasts on its cable networks before and after Dec 24.
I will livetweeting the Christmas Eve broadcast of #ItsAWonderfulLife on Tuesday, Dec. 24, 8-11 pm at both BlueSky and the artist formerly known as Twitter under the handle [profile] ladyday93.
Hashtags are #ItsAWonderfulLife #ItsAWonderfulLifeNBC #HeeHaw.

I’ve done this annually for more than 10 years now, starting when NBC was airing “It’s A Wonderful Life” on both the 1st Saturday of December and on Christmas Eve. NBCUniversal whatever has the broadcast rights and in the past few years, they have aired this on its “networks of NBC,” especially it seems on the E! network, which has been on life support since the departure of the Kardashians and the death of Joan Rivers. It’s been fun. There’s plenty of enjoying the movie. Plenty of snark and nutrition. The 74th anniversary of the film, which was during a COVID year also allowed access to the annual Bedford Falls Festival online, so a little more nutrition was to be had.

After this broadcast of the movie, there is the news. Then there is the “Midnight Mass” from St. Peter’s Basillica in Rome. I’m not even remotely Catholic (pagan), but there’s a comfort in the tradition of hearing it. When I was growing up, it was the last thing I heard before I went to sleep. I also knew as a small child, if this came on and I was still up, I was up too late and I need to be asleep.

As with all Catholic masses, the pageantry and ritual are fascinating (that’s Mr. Spock level of fascinating). The music is familiar since I used to belong to a choir that sang many songs that were in Latin. I know enough that I can recognize phrases like “Bless the Father, the Son and the Holy Ghost.”

Some years I have fallen asleep before the end. Often I’ve stayed awake the whole way through. It’ll be interesting to see what happens this year.
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I spent a good portion of the day watching the Flintstones holiday marathon (with some breaks for “A Christmas Story,” “Knots Landing”-the Season One two-parter where Gary Ewing falls off the wagon and how and “Ken Burns: Country Music”). The marathon consists of 3 Christmas-themed shows-2 specials and 1 regular episode. Showing them in order as the Cartoon Network has allows you to see the cultural changes that each one reflects.

The Flintstones Christmas Episode (1964)

The first episode was a regular season episode from 1964. It was clearly made during the time when tv shows made sure that they made a Christmas episode if not every season, at least once during their run.

Fred Flintstone gets a side hustle as Santa to afford presents for his family. This leads to him being on tv and convincing daughter Pebbles that he is Santa and it results in Fred subbing for Santa on Christmas Eve, when the latter comes down with a terrible cold. Fred along with Santa’s elves, Winky and Blinky deliver toys and presents all over the world, as signaled by Fred wishing each destination “Merry Christmas” in their mostly European, native language. Fred of course forgets his presents for the family but Santa does him a solid by rolling out of bed-sick with a cold-and dropping off Fred’s gifts himself.

The end of the episode has the Flintstones and the Rubbles gathering around the Christmas tree wishing everyone a Merry Christmas.

This episode might be a response to Rankin/Bass’ “Rudolph the Red Nosed Reindeer, ” which debuted in primetime that year. The Flintstones were the Simpsons of their time, meaning that they aired in primetime and dealt with topics that you usually wouldn’t find in a children’s cartoon. Not a lot of TMOC (True Meaning of Christmas) or at least anyone needing to learn it. This was probably a case of Fred and company (there are b and c plots having to do with Wilma and company and the kiddies) demonstrating TMOC vs learning it).

As I remember, this episode until the 21st century only aired at Christmas time and not as a part of the regular syndication run. I was not alive when this debuted and for the many years afterwards. I imagine since the Flintstones were popular, this episode did well in the ratings.

A Flintstones Christmas (1977)

“A Flintstones Christmas” took place in 1977 and is a holiday special. Again not around when this came out but it aired a few years in the 1980s and possibly once in the 90s at Christmas time.

Keep in mind, when I speak of these shows airing, I am speaking of broadcast tv. Cable may have been a different affair but I didn’t get cable until 2009.

This special takes place in a very busy and commercial holiday season in Bedrock, complete with Salvation Army kettle ringers (with the serial numbers filed off). Fred and Barney are about getting gifts for the holidays. Fred’s boss, Mr. Slate, is about getting a Santa for a Christmas party his wife is sponsoring. Fred and Barney become Santa and his helper elf and they happen upon Santa (lol if I received $5 for each time I started typing “Satan” for “Santa” I would be at least Tyler Perry rich.) who needs help distributing toys and presents. (I think he was sick also in this special.) Fred and Barney say “yes” (how hard can it be? Pretty hard it seems.) and hilarity ensues. They actually lose presents, making it necessary for Santa and his workshop to create replacement presents.

It’s clear that the writers intended Fred and Barney to have Laurel and Hardy/Laverne and Shirley -esque adventures. Some of it lands and some of it doesn’t. I don’t think some of these landed even in the late 70s. And no one has an inside voice especially not inside. Unlike the 1964 cartoon, Wilma. Betty, Pebbles and Bamm Bamm hardly figure into this plot. This is interesting because Pebbles and Bamm Bamm are look like they are between 5-8 years old and they speak in complete sentences. This is the first special that features a different voice for Fred. Henry Corden took over from Alan Reed. There are songs in this special, probably to show that Hanna Barbera can keep up with the kind of holiday specials that Rankin/Bass has been pumping out for nearly every holiday on the calendar and Christmas besides. Unfortunately, these songs feel like they are searching for a relevant plot point to exist in.

Fred and Barney manage to deliver Satan’s presents (just kidding) and make it in time to do the holiday party organized by Mrs. Slate and others. Here is where we see next see Pebbles and Bamm Bamm and their mothers and hear them maybe speak. Forgetting the presents for the children at the party, Santa Fred and Elf Barney remember that they had a little bit of Santa’s magic left and pull a deus ex machina to provide the children, who at this point grabbed up their little pitchforks and torches, with their presents, including their own. Santa thanks they guys and before you know it, the special is over.

The Flintstones’ Christmas Carol (1994)

The last special was/is “The Flintstones’ Christmas Carol” (1994). It’s been 17 years since the last Christmas special. The late 80s-early 90s saw a renaissance where Hanna Barbera’s characters were concerned. More so for the older characters such as the Flintstones, the Jetsons, Yogi Bear, etc than for Scooby Doo and the gang (they’ll get theirs closer to the end of the 20th century and of course ebbing and flowing through out the 21st.). The Flintstones recently returned to Saturday morning tv in the form of little kids. During this period, Hanna Barbera did that with a lot of their characters and tried to make them “hip.”

Fortunately, this special does not have the main characters as little kids. The essential plot is that Fred, Barney, Wilma and Betty are in the Quarry Construction’s amateur dramatics company version of “A Christmas Carol.” Wilma started out as the stage manager and script girl, but due to a plague of “The Bedrock Bug” (Can you say nausea, heartburn, indigestion, upset stomach, and diarrhea?), she plays Belle and other roles in the play. Barney is Fezziwig and Bob Cratchit, Betty is Mrs. Cratchit and resumes her nudge-nik role when it comes to getting Wilma to speak up for herself and to keep the show rolling. Pebbles and Bamm Bamm are toddlers again. Pebbles can walk but her and Bamm Bamm’s vocabulary is still limited. Pebbles plays a Cratchit daughter and Bamm Bamm is Tiny Tim. Fred is Ebonezer (how did they get that one past the censors?) Scrooge and has let this go to his head harder than when Marcia Brady thought she was THE JULIET CAPULET and Greg Brady thought he was THE JOHNNY BRAVO.

We are treated to parallel storylines where Fred indulges in moments of jackassery in his real life and in the play as Scrooge. While he did remember to get his family Christmas presents, we see him not engaging enough with his daughter, which irritates Wilma to no end, but surprisingly she doesn’t voice this to him as forcefully as she would have in the past.

The production of “A Christmas Carol” is decent. They are pretty faithful to the story. Reminiscent of the 1962 version starring Mr. Magoo, there are moments where you forget that Fred Flintstone is playing Scrooge. This version was a straight ahead dramatic version. Thankfully, they didn’t attempt to add lots of songs as the 1977 version did. The producers, in addition to likely saving a few dollars, realized that not every holiday special needs a musical soundtrack.

As for the plotline outside of the play, it was decent also. Definitely was focused on Fred learning the TMOC lesson of caring about others and teamwork. A way this was demonstrated is that one of the kids who was in the play that he was tough on AND whom he made wait in line to get Fred’s last minutes gifts to his family wrapped, actually did this and wouldn’t take money from Fred because it’s Christmas.

Fred did at one point break into the department store because he didn’t know that the kid got the presented wrapped and then schlepped them all the way to the theater where they’d be safe. If Fred’s big ego hadn’t got in the way, then he wouldn’t have ignored the kid and needed to break into the store. The store where we meet the ONLY person of color to be seen across any of these holiday specials, much less in the various iterations of the Flintstones over the decades. He’s a police man and thankfully for Fred, this cop doesn’t shoot first or else this special would have had a different ending. Not only is the Black cop understanding enough to believe Fred’s story and his “road to Damascus” conversion that led him to discovering the TMOC, he gives Fred a ride back to the theater so that he can complete the play and does not arrest him.

The play goes off well. Wilma gets her flowers literally and figuratively for saving the show by stepping into so many roles. Fred makes amends to everyone and well, “God Bless Us Everyone!”

It was interesting, as mentioned, to see the cultural changes, as you viewed these characters across the different cartoons. An interesting constant was the emphasis that was put on making sure that Fred gets his family their presents. You’d think, especially in the 1st two that the fact that Fred was helping Santa Claus in his mission would make Wilma and Pebbles understanding in regards to why Fred didn’t have their presents right then. I also find it interesting that the 1994 special made sure that we knew that there were women other than Betty and Wilma in Bedrock as well as people of color. The 1964 episode barely worried about additional women and/or people of color being represented. By the time you get to the 1977 special, it feels really awkward that Wilma and Betty were practically non-existent in the episode along with anyone of any color. You only get maybe Mrs. Claus as the other woman with any major role.

Of the individual specials, I would say that I’d watch the 1964 and 1994 ones again or at least have them on in the background. The 1977 one isn’t completely dreadful. I do now understand why it’s not aired as much.

And yeah we really have to handwave the whole “cavepeople/stone age people celebrating Christmas especially ‘A Christmas Carol,’ which was written in the 1840s.” I mean, we should be focusing on the TMOC anyway, right?
ladydayelle: (Default)
I could have watched the Original Recipe Friday the 13th movie Franchise or the Friday The 13th TV series (which I bet has a holiday episode), but I decided to watch the Grinch again.

I enjoyed livetweeting this version. I really can’t get into the live action version that starred Jim Carrey. Or the other CGI version. My main bone of contention with them continue to be that I really don’t need a psychoanalytical backstory that essentially tells us that the reason why the Grinch is the Grinch is because he wasn’t loved enough as a little Grinch, coupled with some pablum about valuing diversity.

The animated version keeps it simple. He’s the mean guy who lives on the hill. He is miserable and wants the Whos in Whoville to be miserable because they are happy and he is not. Simple. Basic. No backstory that screams “therapy intervention” and holds up the story as a crutch. And yes, somewhere in there, the Grinch discovers the TMOC (True Meaning of Christmas).

One could argue that the songs make this story a little too long in the animated version, but they add to the flavour of the piece.

The animation still holds up in this age of CGI and 3D everything. Chuck Jones and his team were definitely the old masters. Each frame brought Dr. Seuss’ strange and wonderful world to life and captured Seuss’ and Chuck Jones’ wicked sense of humour.

This version was broadcast first on tv in 1967. Boris Karloff (Monster, Horror and Thriller royalty), narrated, but he did not sing the “Grinch” songs. That honor went to voice actor and singer Thurl Ravenscroft, who achieved additional immortality as the definitive voice for Kellogg’s Tony The Tiger for Frosted Flakes.

It amuses me at how much Peacock and other sites will pummel me with the recommendation that I should watch the other Grinchs – even a musical that is coming to a theater near me? Meanwhile, they treat this version like the ugly daughter they have to hide under the stairs.

I’ll always be firmly in its corner as its champion.
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The Nutcracker Scoob

So one of the iterations of Scooby Doo during the 80s decided that they would do a holiday episode. It was “The New Scooby Doo Mysteries.” The one where Scooby, Shaggy, Scrappy Doo (yeah, he was there) and Daphne were running the ‘Scooby Doo Detective Agency’ and solving…cases. The typical real estate scammers and some with actual ghouls and ghosts. And the opening theme song sounds like they forgot the disco era was over and the monsters do sort of the Thriller dance.

(I pointed out to a friend that until the Mystery Inc. era, none of the mysteries where Fred and Velma were included in the gang featured any supernatural beings. In fact one of the funniest moments of the crossover episode ‘Scooby-Natural,’ where Sam and Dean Winchester enter into the world of Scooby Doo, is where Fred looses his stuff; lamenting that for years they’ve been foiling real estate scams when they could have been hunting actual demons and ghosts and ghouls.)

In this episode, we get to see Fred, who hasn’t been seen in a long while. He brought in Scooby, Shaggy, Scrappy Doo and Daphne to help put on a Christmas pageant for Mrs. Fezziwig and her orphans. The villain of the piece (named Mr. Nickleby) forecloses on the property because he can and because he wants to find a family heirloom, which was an emerald that’s supposed to be inside of a golden star.

So the gang searches for the golden star when they figure out the real reason for Mr. Nickleby to want the property. Of course they run into a ghost who is about scaring the gang out of the space and stealing the golden star.

A lot of stuff happens-so much that this was/is a two-part episode. In addition to there being the obvious “A Christmas Carol” references (as well as general Charles Dickens ones), they do manage to put on the pageant with the Nutcracker Ballet, where Fred is the Nutcracker Prince and Shaggy, Scooby and Scrappy are the Sugarplum Fairies. Yeah…that goes about as well as you’d imagine…

There’s a little cut waif named Tina and Mr. Nickleby has a villain cat named Snowball.

It wouldn’t be an episode of Scooby Doo without a chase scene, which consisted of the gang by way of skis and sleigh and the ghost by way of sleigh to the instrumental version of “Deck The Halls.”

And yes, there is moment of TMOC (True Meaning of Christmas), otherwise this would a be total downer episode.

This holiday episode is better than a lot of the episodes in this particular version of Scooby Doo. Those who prefer less Scrappy Doo will be pleased, since because Fred has been added back in and because of the overall plotlines, he gets his moments but he doesn’t overshadow the episode.

It must also be said that I can’t watch especially these versions of Scooby Doo without thinking about Casey Kasem, who did Shaggy Rogers’ voice and did other adult voices including the villains throughout the years. I muse about how this work paid for his kids to get a great education and great careers, so this wackery wasn’t in vain.

“The New Scooby Doo Mysteries” airs on Max and I believe tubi. This episode is from an era where pretty much every program unless it was non Christian or some fantasy/sci-fi land where they would not celebrated Christmas, did a holiday episode. The quality varied and usually it was centered around the TMOC, but some are worth seeking out. ‘The Nutcracker Scoob’ is a good one in a pinch.
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So NBC is airing “Rudolph the Red Nosed Reindeer”. Apparently it’s news because it’s not only the 60th anniversary of this Rankin/Bass classic about the “most famous reindeer of all,” but it also hasn’t been aired on NBC since it’s debut. Also allegedly this will be the version that includes the material that’s usually taken out from the broadcasts – usually to make room for commercials.

Oh right…this is the one with the Jerkass, Tactless and Emotionally Frozen Santa.

Fun fact: Paul Frees, the Rankin/Bass 6th Ranger, voices the Captain Jerkass, Tactless and Emotionally Frozen version of Santa Claus.

So as you imagine, this is Rudolph’s Origin Story. Where we see poor Rudolph closeted by his parents because Santa upon seeing the young fawn’s red nose reminded us that apparently he believes in judging a book by the impossible standards I set. Quite the contrary to the Red headed young man who delivered toys to Sombertown and fought against the Burgermeister MeisterBurgher from “Santa Claus Is Coming To Town.”

I get it, Santa. Listening to “We Are Santa’s Elves” over and over again is not everyone’s cup of tea but could you be less encouraging?

We also meet Hermie who wants to be a dentist. His problem is of course that he is an elf and apparently in the elf culture, elves make toys. (Don’t tell the Go-Back or Wolfrider elves that…)

As you might have guessed, we are being set up for a tale about accepting differences and how people with different gifts can contribute. And that’s fine. Part of TMOC (True Meaning Of Christmas) is about accepting and respecting differences. Or at least it should be.

Award for the worst parent of the year of course goes to Donner. He never stands up for his son. Trust me, I don’t care if my boss said what he did about Rudolph. That’s MY child. You’re not going to talk about him like that. I’ll just be collecting unemployment. He botches the search mission for Rudolph and insisted that Rudolph hides his nose-worrying more about others’ thoughts than his own son’s well-being.

Our narrator/balladeer snowman is played by Burl Ives, whom many people remember as being something like this character. Only a few times in his long career, did he play mean bastards. One of them did reform a bit with the help of his son Brick. (“Cat On A Hot Tin Roof”). I’ve always appreciated his calm but spirited turn as Sam.

Like Frosty, whom he’ll meet in the superhero teamup of “Frosty and Rudolph’s Christmas in July,” Rudolph also goes on an odyssey that even Natty Gann would find too action-packed and dangerous. Joined by Hermie and Yukon Cornelius who, trust me, has NO chill or anything close to an inside voice, he escapes from the Quasi-Bid Bad and the Abominable Snowmonster, they lad on the Island of Misfit Toys, which seems more like an orphanage or toy foster care than anything else. After another run in with the the Snowmonster, Rudolph and the gang return to Santa’s realm where he and the others learn lessons about diversity, inclusion and acceptance.

“No worries. Rudolph will forgive everyone for essentially SHUNNING him Amish style.”

Or so we’d like to think. It IS 1964. When Rudolph returns, the other reindeer who had picked on him before because of his nose didn’t miss a beat and started in again upon seeing him. Rudolph runs into Santa, who seems to imply that his parents going to find him was Rudolph’s fault and the fact that Santa needed Donner in two days to pull the sleigh and he wasn’t there was Rudolph’s fault.

Yeah…Rudolph’s fault. *eyeroll*

Did I mention that apparently while all this was going on, the worst blizzard in history was taking place all over the globe? Or so we’re told…a lot.

Everyone who’s heard the song, knows that our Captain Jerkass, Tactless and Emotionally Frozen version of Santa Claus asks Rudolph to guide his sleigh using the very thing that he allowed others to torment Rudolph about. It makes you feel like this special is one long Santa doesn’t care about you unless you have something he wants.

When we watch a special like this, we see all sorts of things that we do end up handwaving, like the fact that at the end, one of the elves inadvertently drops the toy bird that swims but does not fly to his doom because he didn’t give him an umbrella when he pushed him out of Santa’s sleigh like the others. Or that the Head Elf violated all kinds of workplace laws in his treatment of Hermie.

Then there’s all of the coding. I’ve seen on the artist formerly known as Twitter about how a lot of this special is loaded with Ho Yay and Foe Yay and lots of other Yay. The Head Elf behaves like Hermie decided to choose to perform storytime in drag. Rudolph’s father acts like his son is trans and they were found out trying to hide it and abandoned his son when he needed him the most.

Fun Fact: Rudolph was voiced by a woman named Billie Mae Richards. She voiced Rudolph in everyone of his 20th century iterations. She did other characters voices as well, but she goes “down in history” for being our favorite reindeer.

Another Fun Fact: The character was created by an employee of the May Department Store corporation. Singing cowboy actor Gene Autry wrote and sang the extremely familiar song. In fact, in the opening credits, you can see that they credited him for this song.

I often joke that clearly actor Victor French modeled his portrayal of Mr. Isaiah Edwards in the tv series “Little House On The Prairie” on Yukon Cornelius. I’ve also said that I’d have been interested in a side story that was just about the adventures that Hermie the Dentist Elf and Yukon Cornelius had while they were separated from Rudolph. Hey, if they could do one for the Miser Brothers, which was okay, they could do one for Hermie and Yukon.

The broadcast included a scene that was often cut for time on CBS, where Yukon finally finds his “peppermint” strike and where Donner states he’s proud of his son, who is flying into the dangerous blizzard to provide visibility for Santa to navigate through the night.

In one of those other moments that you handwave, you wonder why Donner isn’t pulling the sleigh along with Rudolph. I mean, clearly Santa left with 9 reindeer pulling his sleigh (8 + Rudolph). So who’s the one that’s filling in for Donner if he’s on the ground?

Fun fact: For many years, many people (especially in America it seems) get the name of the 7th reindeer wrong. We keep calling him “Donner” as if he had been a member of the ill-fated wagon train party that got stranded in Truckee during a biblical storm and where infamously some cannibalism took place. No doubt, that Donner would not have survived that party. The named of the 7th reindeer is in fact “Donder”/”Dunder”. Literally it means “thunder.” In fact “Donder and Blitzen” actually mean “Thunder and Lightning,” which are badass cool names to have for a pair of flying reindeer.

“Rudolph The Red Nosed Reindeer” was the Rankin/Bass special that set the tone for all of Rankin/Bass holiday specials to come. It’s blend of humour, heart, fantasy, stop motion marionette magic, and memorable songs charmed audiences for 60 years now. I think it will continue to do so in our 21st century dark, bitter AI fueled future.

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